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Scroll down and vote on the top rated-R gay movies that moved you, challenged your perspectives, or simply became a favorite. Ira Sachs’ film takes script from a real conversation from December 1974 between Linda Rosenkrantz and photographer Peter Hujar, for an unpublished book Rosenkrantz was making about her friends in New York.

gay hot movie

Gorgeously animated and delicately written, “The Summer Hikaru Died” tells a teen melodrama tale through a decidedly queer lens, asking how repression and self-hate can make one feel like their own desires are monstrous. If the gay community’s visibility didn’t outright decline across film and TV (a statistic we won’t know for sure until studies on the subject come out next year), representation at least grew more cautious.

The set-up is stagey and very imagined: Hart is at the bar for the afterparty of the Broadway opening of “Oklahoma,” the musical sensation his former writing partner Richard Rodgers (an exasperated Andrew Scott) made with Oscar Hammerstein. But as the movie unfolds and their romance deepens, the question becomes whether or not Johan can handle William’s identity.

“Lurker,” a sly thriller from director Alex Russell, is easily the best of this little subgenre (well, the best since “The Talented Mr. Ripley”) because it has the intelligence to really make a statement about the mutual symbiosis that makes the obsessive relationship between hanger-on Matthew (Théodore Pellerin) and rising pop star Oliver (Archie Madekwe) work.

From awards honorees defending trans people at the podium to musical acts designing their live performances as tributes to their gay and genderqueer fans, entertainers of all kinds came together to remind audiences that Hollywood is still mostly run by allies.

However well-intentioned, that political contrast made LGBTQ representation on screen feel more dire than celebratory.

It’s both intentionally a little boring and completely engrossing — a snapshot of a time in queer history often overlooked and forgotten. Burn This Letter Please

2020

Queen of the Capital

2020

RuPaul's Drag Race Holi-Slay Spectacular

2018

South Beach on Heels

2014

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That attention crystallizes in Peter McVries (David Jonsson), a gay character delivered with exceptional warmth and clarity. In 2025, LGBTQ Americans faced yet another surge of fierce attacks targeting their human rights and legal protections. By centering familial partnership and artistic resilience in a time of hostility, “Come See Me in the Good Light” became more than a sensitive look at sickness and instead debuted as a rebellious and soft-hearted act of queer reflection.

Pretty much every character in this wild tale is a woman, and their relationships — adversarial, familial, and sexual — supply the soapiest and most sincere moments of a show that manages to mock and embody the elements of its melodrama. Equal parts fashion Olympics, acting Super Bowl, and gay “Hunger Games,” Drag Race remains one of the few TV institutions where LGBTQ artistry isn’t debated or defended because it’s the main event.

Erotically and supernaturally charged, Trương Minh Quý’s war-torn romance is elusive to the touch, but with breathtaking cinematography that’s plain as day in front of our eyes. The being he now calls his friend is a spirit that has taken his form — with Yoshiki’s voice, too — and one that will kill him if he tells anyone the truth. —AF

  • “Come See Me In the Good Light”

    Out of Sundance, Ryan White’s “Come See Me in the Good Light” emerged as one of the year’s instantly essential LGBTQ releases — refusing to separate identity from humanity, politics from intimacy, or love from fear.

    The director plays Dennis, an awkward man who meets the grieving Roman (Dylan O’Brien, in an extraordinary performance) at a support group for people mourning their twins and falls into a co-dependent friendship with him. In 2025, identity is treated as a declaration and silence is regarded as assumed erasure.