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It stars co-director Matthew Fifer as Ben, a bisexual white guy from Long Island who’s just recently come to terms with his sexuality, and Sheldon D. Brown as Sam, a closeted gay Black man with a successful career in tech. It’s currently streaming on HBO Max.

Hedda

Hedda stars Tessa Thompson as a 1950s British socialite navigating a lavish party while confronting the return of her former lover Eileen (Nina Hoss).

You can rent or buy it on Amazon Video, Apple TV and Fandango At Home.

Plainclothes

Plainclothes marks Carmen Emmi’s directorial debut, and it’s a strong one.

The “Drag Race” main stage responded not with solemnity, but with the same charisma, uniqueness, nerve, and talent it always brings. Despite some of the heartbreaking moments, it’s not a sad story at all — in fact, it’s a life-affirming ode to the worthiness of real, serious love.

Stream on Tubi.

Photo: ©Fine Line Features/Courtesy Everett Collection

This sweet love story is as much a coming-of-age film as it is a tender sapphic romance.

You know it’s unlikely to end well for these two, but it was such a lovely thing at that start. —WC

  • “Wayward”

    In the ever-expanding ocean of middling cult dramas, Netflix’s “Wayward” doesn’t really stand out. What follows should be kept a surprise, but just keep in mind that the writer and director, Jane Schoenbrun, has said they wrote it about two months into their gender transition.

    Stream on HBO Max.

    Photo: Youtube

    Following the relationship between cellmates in a Brazilian prison, this Oscar-nominated film made waves when it was first released in the 1980s.

    Stream on HBO Max.

    Photo: Ursula Coyote/2020 Warner Bros.

    —AF

  • “Women Wearing Shoulder Pads”

    One of the goofiest, most delightful new shows of 2025, “Women Wearing Shoulder Pads” combines the camp appeal of a Pedro Almodóvar movie with the charm of an Aardman stop motion film.

    gay hot movies

    Erotically and supernaturally charged, Trương Minh Quý’s war-torn romance is elusive to the touch, but with breathtaking cinematography that’s plain as day in front of our eyes. From heart-wrenching dramas to passionate love stories, these films have made significant impacts both within the LGBTQ+ community and in mainstream cinema.

    Take a movie like Maurice, for example, a tender and profoundly moving adaptation of E.M.

    Forster’s novel, which beautifully depicts the journey of love and self-acceptance in early 20th century England. In a setting defined by cruelty, screenwriter JT Mollner understood that tenderness, especially between boys intended as enemies, can still seem radical on the big screen. It centers on an actress, Elizabeth (Liv Ullmann), who stopped talking while performing onstage one night and hasn’t spoken since.

    It’s a nuanced, charming story of self-discovery and identity.

    Stream on Criterion Channel.

    Photo: MUBI/Courtesy Everett Collection

    Chaotic bisexual representation!!! Then there’s Red, White & Royal Blue, a modern romantic epic that explores an unexpected and steamy romance between a British prince and the son of the U.S.

    President, blending love, politics, and humor seamlessly. Meanwhile, his sister-in-law Muriel (Daisy Edgar-Jones) begins her own secret romance with a woman, Sandra (Sasha Calle). It’s the slowest of slow burns, but we get one exciting, intimate road trip before it all falls apart.

    Stream on HBO Max.

    Photo: Neon/Courtesy Everett Collection

    It’s another historical slow-burn forbidden romance (the trope is so common SNL made a trailer satirizing it), this one set in 1770s France.

    Capitalism? —AF

  • “Lurker”

    There’ve been a lot of homoerotic thrillers in recent memory about men ingratiating themselves into the life of someone more beautiful and fortunate than they are: see the recent “Saltburn” for the most famous example.

    It’s silly as hell with flawless pacing and excellent comedic performances. We are highlighting the best R-Rated gay movies of all time. The emotional weight of Harper’s inability to come out to her family — and the way it harms Abby — gives the film a more somber tone than most Christmas movies have, although there are of course funny moments and silly high jinks throughout.

    Director Harry Lighton adapted Adam Mars-Jones’s novel Box Hill for his feature debut, winning the Best Screenplay prize in the Un Certain Regard section at Cannes. Director Sophie Hyde drew on her own experiences growing up in a queer family.